The Walking Dead on AMC

The Walking Dead television series has its Halloween debut on AMC.  As I'm sure most of you reading this know, it is based on an Image comic book series.

I've been asked by a hell of a lot of people if I am going to watch this.  The basic line of questioning goes something like this, "It's from a comic book.  It's got zombies.  You like both things.  You gonna watch?"

Probably not.

I never read the comic book despite the generally positive reviews.  I simply had no interest in it.  Mistake?  Maybe, but I'm still not going out of my way to get it.

I also don't watch a hell of a lot of episodic television.  I don't find myself having enough time to do that, and if I were going to, I would actually go to the source material first (in this case the comic or trade paperbacks).  It's not like it is impossible to find.  Don't misunderstand me -- I'm fairly sure the show will be worth watching.  I just don't plan on being one of the audience members.  If I come across it, I'll probably tune in, but I doubt I'll even have the television on at that time.

What I'd love to see is the people who are excited about the television series actually becoming comic book readers.  By all accounts (though not mine), the industry is dying.  That means all these incredible franchise ideas will have to come from elsewhere -- something Hollywood has never been really good at doing.  (Outside of the Star Trek and Star Wars franchises, I can't think of too many franchises that have solely been the creation of the movie/television industry.  James Bond came from books, as did Harry Potter.)

It seems doubtful that all these viewers will turn into readers, but if I were a comic book store or publisher (that means you, DC and Marvel) I'd be taking out ads in order to expose potentially new readers to what you have to offer. 

In the meantime, I'll continue to field the questions, reminding people of the television show's source material.  And that material is always going to be better than what can be shown on the screen.

Dirty Deeds Done Dirt Cheap

Any good Garth Ennis tale (and by extension that includes artist Steve Dillon) will involve topics like honor, truth and justice ... along with a healthy dose of bullets to the head and jaws blown off.  Such is the nature of the 2003 Punisher story arc called "Brotherhood."

Originally presented in the Marvel Knights imprint of The Punisher, the three issue story is about cops gone bad, coke deals gone bad, priests gone bad, domestic violence (already bad) and how the world views someone based on the actions of a few bad apples.  Frank Castle (Punisher) has vowed to never cross the line and kill a cop, but the two cops he runs into push him to the very edge.  Their addictions have mired them in a world of wife beating, gambling and stealing evidence.  When Castle enters the picture, the cops' world is already spiraling out of control and people are dying.

Before this was a Max title, The Punisher had to watch the language and nudity (nobody really worried about the violence), so this isn't as nasty as it could be.  It still makes its point without the use of words you'd normally find in this sort of tale.  That is the mark of a good group of storytellers, which as we know from Preacher, is exactly what Ennis and Dillon are.

Marvel's 2003 universe is far different from the one of the past few years, and this was its darkest title at the time.  Oddly enough, it was also its most realistic.  If you take the Punisher out of the equation, most of what the creators did was from real life, whether it be drug deals or IRA terrorism.  It was a far cry from the X-Men or Spider-Man, and for that I appreciated it.

"Brotherhood" will never be considered a classic tale.  With Ennis and Dillon, everything they do is grand, but to standout at this point it really needs to be spectacular.  It will, however, be a prime example of a strong tale that will never age.  Someone reading this ten years from now will recognize the themes and issues at hand, and they will in no way be alien to the reader.  Try saying that about some of the other stories we've witnessed as of late.  You can't.  And three issues was all it took.  Concise, but with about three times the dialogue of your average current comic, and well-paced.  It may not be a classic, but it should be studied.

Steve Rude Selling Original Art to Avoid Home Foreclosure

I'm not a huge Steve Rude fan (Nexus), but will admit that he has a place in comics history.  Unfortunately, the banks don't respect that, and now, in an effort to keep his home he is selling his original art on eBay.  You can click here to see it.

I think original art is a good investment, but I only buy stuff from artists whom I happen to enjoy.  If you are a fan of Rude, I'd recommend at least checking this out.  In an age where people think artists deserve nothing for their trouble (with the concomitant outcomes when your revenue is taken away), giving something back is a great way to show your appreciation ... especially if it keeps someone from being homeless.

Wonder Woman Needs Your Help!

I'm not going to reprint my entire piece here, but Jennifer Wenger, an incredibly talented actress, is making a push for the role of Wonder Woman in the upcoming television series.  If you are at all interested, just click here to read the piece on my other blog. 

I posted the main piece there because, quite frankly, more people read that blog than they do this. 

The (Not So) Great and Secret Show

I was excited to put Secret Avengers on my subscription list.  I liked the idea of an Avengers team that went in to do the dirty work and stop problems before they happened.  I liked the team, as it has a few characters I really like (Moon Knight and Black Widow come to mind) and some I definitely enjoy (Beast, Valkyrie).  When I had the first two issues sent to me, I sat down and read them after letting them sit for about two weeks.

I was ... disappointed.

The story, which deals with a search for a new Serpent Crown, was lackluster at best.  The characterization was non-existent.  These could have been any characters, quite honestly.  It seemed like it was a thorough waste of potential and money, and I almost dropped it from my pull. Why waste the time?

Well, long story short, I have not dropped it yet.  I am going to give it a chance.  Sometimes it takes a few issues for a creative team to get into their rhythm.  My fear, however, is that this title will never realize its full potential.  By the second issue, when the team goes to Mars, I thought there could be possibilities ... and there were some ... but not enough.  What will the next few months bring?  I'm not sure, but if the writers don't let the characters shine (which should be anyone's reason for reading this), they will have a dead series on their hands, and they will be losing readers at a record pace ... myself included.

Brain Eaters

I will admit that the first thing that attracted me to iZombie (not the way the title is shown here) was the Mike Allred art.  I am a huge fan of his work and someday hope to own some original stuff.  A tale of a zombie girl who has to eat brains every thirty days or she goes all shambling, coupled with vampires and ghosts -- well, it can only be a good thing.

The first three issues from Vertigo have not disappointed me.  The art, as to be expected, is top notch.  The story has its humor, and it is something you can easily see being made into a television series, as is everything comic book related these days.  It's not the best series I've ever read, but it is holding my interest.

Zombies have been huge for the past couple of years.  There are too many titles to list, and the it seems like there are more being published each month.  It is -- no pun intended -- over kill.  At least it's not vampires, though.

I'm all for a good zombie tale.  I like my zombies slow and methodical.  With that in mind, it seems strange that I like this series.  The zombie is portrayed as a normal woman.  The horror is almost non-existent (as of the first three issues), and there is a little too much humor for my usual tastes.  Somehow, however, writer Chris Roberson makes it work.  He keeps me reading it despite it firmly falling into the land of things I don't normally like.

Time will tell if this will be a series worth watching or just another one taking up space.  (I have far too many of those for my liking.)  My guess is the former, but if I'm wrong I'll at least have some nice art to appreciate.

Giant Sharks, Mutated Animals and Dinosaurs

I am currently reading the (so far) wonderful Art in Time, which features reprints from comics the editor, Dan Nadel, finds to be interesting for one reason or another.  The stories aren't ones that have been reprinted often in the past, so reading them has been a rare treat.  One of the more pleasurable stories in the group has been from Kona issue three, and features Kona, the white-haired caveman, trying to find a solution to a very vexing problem.  He is in a cave with some travelers from the present time period (Sixties).  This cave is quickly filling with water.  The waters have some toxin in them that has caused the sharks in the water to grow bigger than the dinosaurs that populate the cave.  This, of course, spells trouble for Kona and his people.  He does remember, however, that there is a cave nearby that has been blocked off because the other side of it contains hideously mutated animals. 

You have to love these comic book premises.  Could a book throw in anymore of the kitchen sink?  Cavemen, dinosaurs, giant sharks, mutated animals (like giraffes with bull bodies or some such insanity).  When you think those kinds of storylines wouldn't fly today, remember that just recently the Uncanny X-Men has these weird alien predator things dropped onto their Utopia island by a wayward mutant in a plane.  Perhaps not as outlandish as what Kona faced, but the concept is the same.

Reading the old stories is a lot like watching old movies.  The dialogue sometimes doesn't sound right, and the ideas sometimes seem almost quaint, but you are witnessing a product from a bygone time.  They, quite honestly, don't make them like that anymore.  Is that a good or bad thing?  I don't know.   More people read comic books back in those days, and while few would argue about the quality of our stories today, where are the readers?  Perhaps they want those crazy stories from the days of yore where logic took a backseat to ... just about anything else.

Me?  I like both periods.  And to be frank, we wouldn't be where we are at today without those stories from decades ago.